Garbled and graceless — 3 years ago
The author, Preethi Nair, was apparently turned down by several publishing houses before she decided to self-publish and promote her novel. It was successful – sold 2000 copies at an independent bookseller – but for mysterious reasons left unspoken, she didn’t follow-up on that success. When she finally wrote her second novel, the first was reissued as part of that publishing deal.
The story is written in three parts from the perspectives of three different characters: Evita/Molu, an woman adopted from India as a child and raised in North London; her adoptive mother Auntie Sheila and her adoptive father, Uncle Bali.
I found parts of the book, particularly the first story of ‘Evita’ hard to follow. As a result, I didn’t develop the necessary ‘suspension of disbelief’ required for the more esoteric aspects of the novel. Early on, it started to feel silly and self-consious. In the opening story, the young protagonist quits her job and is taken on a spontaneous journey into a far-off land, after she sees an ‘African Dancer’ prance across her computer keyboard. She is troubled by the insistent beat of drums in her head. Instead of coming across as magical and serendipitous (which seems to be the author’s intention), it seems wacky and ill-timed.
It’s a shame, because some parts (particularly the story of the Uncle and the Aunt) were well-written and engrossing. If the plot of the book was restructured and expanded around their life experiences, insted of merely becoming props to the weak plot of the ‘African Dancer,’ it would have been a better book. Instead, I would be shocked out of my enjoyment of their stories by side-references to ‘following the African Dancer.’ I was put off by this and found that using this ‘thread’ to tie the stories together simply didn’t work. It felt pretentious to me.
I wouldn’t recommend this book.

