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    <title>All Consuming : Kyle</title>
    <link>http://www.allconsuming.net/person/quailman</link>
    <description>A list of things that Kyle is consuming</description>
    <pubDate>Wed, 23 Dec 2009 00:13:07 GMT</pubDate>
    <lastBuildDate>Wed, 14 Jun 2006 13:48:09 GMT</lastBuildDate>
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      <title>RIP THE SYSTEM!!!1 THE GOVERNMENT DOESN'T WANT YOU TO SEE THIS MOVIE (rated 3 stars)</title>
      <description>&lt;div class=&quot;item-image&quot; style=&quot;padding:3px;float:left;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/45198&quot;&gt;&lt;img src=&quot;http://ec1.images-amazon.com/images/P/B00005JOE8.01._SCTHUMBZZZ_.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-title&quot; style=&quot;font-weight:bold;font-size:14px;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/45198&quot;&gt;V for Vendetta&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-creator&quot;&gt;by James McTeigue&lt;/div&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;p&gt;A good action movie, a &lt;strong&gt;great&lt;/strong&gt; political commentary.&lt;/p&gt;&lt;p&gt;Prior to seeing this movie, I had never thought of &lt;em&gt;blowing shit up&lt;/em&gt; as an effective means of fixing societal problems.&lt;/p&gt;&lt;p&gt;Good job guys!&lt;/p&gt;&lt;p&gt;In its defense, though, it &lt;em&gt;could&lt;/em&gt; be argued that the movie attempts to counter-act the demonising of &amp;#8220;terrorists&amp;#8221;, and get people to merely &lt;em&gt;consider&lt;/em&gt; their point of view, to try to see some motive beyond the somewhat tired &lt;em&gt;&amp;#8220;they hate freedom&amp;#8221;&lt;/em&gt; rhetoric we&amp;#8217;ve all come to know and love. However, if that was the idea, it was far from obvious. The movie seems to actually &lt;em&gt;condone&lt;/em&gt; terror attacks rather than trying to ask any questions.&lt;/p&gt;&lt;p&gt;If you&amp;#8217;re looking for something with knives, explosions, and great special effects, then this is worth consuming. But if it&amp;#8217;s the message behind a film that matters most to you, it would probably be better to skip it.&lt;/p&gt;</description>
      <pubDate>Wed, 14 Jun 2006 13:48:09 GMT</pubDate>
      <link>http://www.allconsuming.net/entry/view/28327</link>
      <author>nobody@allconsuming.net (Kyle)</author>
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      <title>Why I recommend &quot;The War of the Worlds (Tor Classics)&quot;</title>
      <description>&lt;div class=&quot;item-image&quot; style=&quot;padding:3px;float:left;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/25286&quot;&gt;&lt;img src=&quot;http://images.amazon.com/images/P/0812505158.01._SCTHUMBZZZ_.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-title&quot; style=&quot;font-weight:bold;font-size:14px;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/25286&quot;&gt;The War of the Worlds (Tor Classics)&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-creator&quot;&gt;by H. G. Wells&lt;/div&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;blockquote&gt;&lt;p&gt;_&amp;#8216;Why are these things permitted? What sins have we done? The morning service was over, I was walking through the roads to clear my brain for the afternoon and then &amp;mdash; fire, earthquake, death! As if it were Sodom and Gomorrah! All our work undone, all the work&amp;#8230; What are these Martians?&amp;#8217;&lt;br /&gt;&amp;#8216;What are we?&amp;#8217; I answered, clearing my throat._&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;I recommend this because, on top of it being a well-written and truly groundbreaking science fiction novel, its criticism of humanity&amp;#8217;s over-inflated ego and sense of superiority is still extremely relevant.&lt;/p&gt;&lt;p&gt;Plus the image of Martian invaders laying waste to Victorian London is just so totally awesome!!&lt;/p&gt;&lt;p&gt;A must-read.&lt;/p&gt;</description>
      <pubDate>Tue, 13 Jun 2006 15:45:15 GMT</pubDate>
      <link>http://www.allconsuming.net/entry/view/28280</link>
      <author>nobody@allconsuming.net (Kyle)</author>
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      <title>Why I recommend &quot;In Utero&quot;</title>
      <description>&lt;div class=&quot;item-image&quot; style=&quot;padding:3px;float:left;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/57166&quot;&gt;&lt;img src=&quot;http://ec1.images-amazon.com/images/P/B000003TAR.01._SCTHUMBZZZ_.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-title&quot; style=&quot;font-weight:bold;font-size:14px;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/57166&quot;&gt;In Utero&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-creator&quot;&gt;by Nirvana&lt;/div&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;p&gt;Never mind Nevermind, this is &lt;strong&gt;the&lt;/strong&gt; best Nirvana album.&lt;/p&gt;</description>
      <pubDate>Wed, 07 Jun 2006 16:44:56 GMT</pubDate>
      <link>http://www.allconsuming.net/entry/view/27897</link>
      <author>nobody@allconsuming.net (Kyle)</author>
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      <title>What a piece of carp. (That's an anagram) (rated 1 star)</title>
      <description>&lt;div class=&quot;item-image&quot; style=&quot;padding:3px;float:left;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/227304&quot;&gt;&lt;img src=&quot;http://ec2.images-amazon.com/images/P/0307277674.01._SCTHUMBZZZ_.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-title&quot; style=&quot;font-weight:bold;font-size:14px;&quot;&gt;&lt;a href=&quot;http://www.allconsuming.net/item/view/227304&quot;&gt;The Da Vinci Code&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;ac-creator&quot;&gt;by Dan Brown&lt;/div&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;p&gt;Okay. I recognise that the Da Vinci Code is a &lt;em&gt;fictional&lt;/em&gt; novel. However, at the very beginning of the book, Brown makes the claim that &lt;em&gt;&amp;#8220;all descriptions of artwork, architecture, documents and secret rituals in this novel are accurate.&amp;#8221;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;This is simply not true; his descriptions are speculative at best, and just plain false at worst. This is especially obvious in his description of Da Vinci&amp;#8217;s original &lt;em&gt;Madonna of the Rocks&lt;/em&gt; painting, and how it differs from the later version:&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;&lt;em&gt;Oddly, though, rather than the usual Jesus blessing John scenario, it was baby John who was blessing Jesus&#8230; and Jesus was submitting to his authority! More troubling still, Mary was holding one hand high above the head of infant John and making a decidedly threatening gesture&#8212;her fingers looking like eagle&#8217;s talons, gripping an invisible head. Finally, the most obvious and frightening image: Just below Mary&#8217;s curled fingers, Uriel was making a cutting gesture with his hand&#8212;as if slicing the neck of the invisible head gripped by Mary&#8217;s clawlike hand.&lt;/em&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;It doesn&amp;#8217;t take a scholar to &lt;a rel=&quot;nofollow&quot; href=&quot;http://www.bridegroompress.com/images/L-Marys.jpg&quot;&gt;point out&lt;/a&gt; that this isn&amp;#8217;t so. Not only is Uriel blatantly pointing, rather than making a &amp;#8220;cutting gesture&amp;#8221;, but it isn&amp;#8217;t even John that Mary is supposedly holding her &amp;#8220;clawlike hand&amp;#8221; over. The child on the left is clearly identical in both versions, and is marked out as John in the later version by the reed cross he&amp;#8217;s holding. Note also how Jesus is blessing John in &lt;em&gt;both&lt;/em&gt; paintings.&lt;/p&gt;&lt;p&gt;But even putting aside Brown&amp;#8217;s severe bending of the truth, it was an awful, awful book.&lt;/p&gt;&lt;p&gt;The characters are utterly two-dimensional, the writing is uninspired and fraught with clich&#233;s, and the &lt;em&gt;shocking&lt;/em&gt; twist towards the end not only feels unnaturally tacked on, but the manner in which it is revealed makes absolutely no sense.&lt;/p&gt;&lt;p&gt;I simply cannot understand how so many people like this book.&lt;/p&gt;</description>
      <pubDate>Wed, 07 Jun 2006 00:52:13 GMT</pubDate>
      <link>http://www.allconsuming.net/entry/view/27870</link>
      <author>nobody@allconsuming.net (Kyle)</author>
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