There’s a part of this book that is an attempt to explore the trauma of her childhood, but it gets lost among all of the names being dropped and attempts to create dramatic tension. It’s also distracting when (on page 26), as a child in 1976, the author overhears a teacher saying she possibly has ADD, but ADD wasn’t entered into the DSM-IV until 1980 ( Wikipedia: ADD). You can also tell that she works in Hollywood (at Spelling Entertainment no less) because this book is obviously written in the three-act structure that all Hollywood screenplays follow. The dialogue sounds like a summer action film where every line attempts to sound hip and witty but ends up grating on your nerves. Look for teenagers using slang like “dis” and “dealio” in 1985. The end of the book is a weird mix of an attemp at having an uplifting, neat, and tidy ending while also showing that these events have marked her life forever. Thank you, nerve.com for your unending brilliant recommendations.