A trifle overlong, but very visually appealing and definitely compelling. It’s very interesting that Daniel himself (Daniel of today, anyway) appears in the film so little, considering that the filmmakers had a lot of access to him (his parents are interviewed a lot, and he lives with them—there are two or three short clips of Dan talking, but mostly he only manifests through old tapes, videos, and other people’s stories. I’m not sure whether that’s because his interviews were incoherent or boring, or because the directors wanted him to exist in a kind of frozen state, lost in the past.
Anyway, it was worth watching. I forget why I put it on my Netflix list, but I’m glad it got there.