If you yearn for a story of a selfish and petulantly immature protagonist, this is the book for you. If you long to escape to a place so cookie-cutter unreal, every character seems like one unattractive trait with a paper mask affixed in lieu of a personality, this is the book for you. If you wish to let yourself go and delve into a world of the unbelieveably dense and lobotomy-sportingly boring, this is quite so the book for you.
Welcome to the world of Lori Shepard, a spoiled, hyporcritical, and frighteningly delusional child dressed up like a grown woman, complete with creepily-perfect husband, obnoxiously “adorable” sons, and a complement of shallow supporting characters in the guise of her “friends”, and yes she does use that word to describe them, in the bodies of the villagers she lives near. Gossip is the only thing of note these pathetically pointless personnages do, their other one or two points of note being mere window dressing. After a few pages of listening to their dialogue in your head, you’ll swiftly start to wonder why the author even bothered giving them any detail at all.
Speaking of the author, it would be useful to mention that the main character smacks so strongly of an author-insertion fantasy you can practically hear those smacks echoing across the English countryside the book is set in. Lori Shepard is a bored housewife with an almost ridiculously idyllic lifestyle, including expensive cars, perfect cottage, husband with jet-setting attourney lifestyle and of course her own independent wealth based on the inheritance of a woman who never even met her.
Because Lori was presumably never stopped from indulging in any whim or fantasy she felt like immersing her sense of reality in, as an adult she can’t turn it off, and indulges herself to the exclusion of anyone else whenever a cow farts the wrong way. Nancy Atherton, the actual author and not her horrifyingly shallow and psychotic insertion fantasy, has the boring and cut and paste British village as nothing more necessary than a backdrop to indulge Lori going off every few weeks or days, fabircating heinous and stupid mysteries and conspiracies over absolutely anything that she can lay her improbable little mind on. You will marvel at her gift for assuming 20 theories or “facts” when only one randomly spawning event occurs, and making assuptions that she immediately sees as true about anyone she drags into her author-insertion fantasy delusion psychosis, then passes it on in a manner the author tries and fails to cause to look quaint or harmless, but is actually quite rude and slanderous.
The best part is the misleading title of this pamphlet bound up like a book. You’d assume that “Aunt Dimity” is the main character, and therefore the main focus of the story. Not so! Like everything else in Lori’s world, which I’m thinking more and more is really a full-blown mental event had by a confused and lonely inpatient at a government facility and less anything that can be passed off as novella fiction, Aunt Dimity is the name of the woman who bequeathed her money and land to this twat, and said twat spends every bloody night talking to this dead stranger’s diary, and it writes back to her. As if you really needed confirmation about this woman’s mental state.
Aside from that and the feeling you get that the author is not only not British but has only seen the English countryside on BBC dramas and documentaries, the real slap comes when author-insertion girl starts displaying opinions of middle-class puritanism and catty disapproval more suited to an actual Brit circa 1945 than of any self-respecting sentient being of the 21st century. Seriously, this woman gets even more high-strung than usual (which is saying something, obviously,) when her sons start spouting meaningless knight vs. knave speak and when her husband sees someone bum (for fuck’s sake) at the faire, yet her high psuedo-morals seem to be blindingly absent when she’s breaking into people’s abodes, lying, gossiping (which is a form of lying, for those of you who are confused,) making wild and unproven false accusations and allowing her choices to override good sense, reality, and good manners. Who the fuck is this woman, Sarah Palin? The worst part about that is that of course the asshole friends and perfect mannequin husband all coddle, indulge and support her mental retardation and selfish story-making, just as if she were a real adult. It pulls at understandable reality until it lets go with a cosmic twang.
I was upset enough about abiding my promise to read new things and having had to slog through the painfully empty dialogue and the equally painful thoughts of Lori before I found out there’s at least eleven more of these fucking books. Perhaps I’m simply not geriatric enough to appreciate the capricious suspicion vs. mystifying and groundless praise this woman vacillates between in regards to the cardboard cutouts that come across her path in the guise of people, (done with illogical and dizzying speed, to boot,) but I can’t imagine anyone who isn’t exactly the kind of shallow, blind, bigoted, gossiping hick featured in this book finding this a worthy read or even a pleasureable waste of their time.