This is a must read for all violin lovers, seriously.

From Publishers Weekly

Satrapi’s autobiography is a timely and timeless story of a young girl’s life under the Islamic Revolution. Descended from the last Emperor of Iran, Satrapi is nine when fundamentalist rebels overthrow the Shah. While Satrapi’s radical parents and their community initially welcome the ouster, they soon learn a new brand of totalitarianism is taking over. Satrapi’s art is minimal and stark yet often charming and humorous as it depicts the madness around her. She idolizes those who were imprisoned by the Shah, fascinated by their tales of torture, and bonds with her Uncle Anoosh, only to see the new regime imprison and eventually kill him. Thanks to the Iran-Iraq war, neighbors’ homes are bombed, playmates are killed and parties are forbidden. Satrapi’s parents, who once lived in luxury despite their politics, struggle to educate their daughter. Her father briefly considers fleeing to America, only to realize the price would be too great. “I can become a taxi driver and you a cleaning lady?” he asks his wife. Iron Maiden, Nikes and Michael Jackson become precious symbols of freedom, and eventually Satrapi’s rebellious streak puts her in danger, as even educated women are threatened with beatings for improper attire. Despite the grimness, Satrapi never lapses into sensationalism or sentimentality. Skillfully presenting a child’s view of war and her own shifting ideals, she also shows quotidian life in Tehran and her family’s pride and love for their country despite the tumultuous times. Powerfully understated, this work joins other memoirs-Spiegelman’s Maus and Sacco’s Safe Area Goradze-that use comics to make the unthinkable familiar.

from Amazon.com

As of its release in early 2007, Planet Earth is quite simply the greatest nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized so that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) until the entire planet has been magnificently represented by the most astonishing sights and sounds you’ll ever experience from the comforts of home. The premiere episode, “From Pole to Pole,” serves as a primer for things to come, placing the entire series in proper context and giving a general overview of what to expect from each individual episode. Without being overtly political, the series maintains a consistent and subtle emphasis on the urgent need for ongoing conservation, best illustrated by the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes in their fast-melting habitat) in the wake of global warming—a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless variety of natural wonders, from the spectacular mating displays of New Guinea’s various birds of paradise to a rare encounter with Siberia’s nearly-extinct Amur Leopards, of which only 30 remain in the wild.

That’s just a hint of the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is packed with images so beautiful or so forcefully impressive (and so perfectly photographed by the BBC’s tenacious high-definition camera crews) that you’ll be rendered speechless by the splendor of it all. You’ll see a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering in the hundreds of thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or “flying lemur”—not really a lemur!) of the Philippines; a hunting alliance of fish and snakes on Indonesia’s magnificent coral reef; the bioluminescent “vampire squid” of the deep oceans… these are just a few of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough with his trademark combination of observational wit and informative authority. The result is a hugely entertaining series that doesn’t flinch from the predatory realities of nature (death is a constant presence, without being off-putting).

At a time when the multiple threats of global warming should be obvious to all, let’s give Sir David the last word, from the closing of Planet Earth’s final episode: “We can now destroy or we can cherish—the choice is ours.”

From Victor Tan the ventriloquist to the old uncle that is a street busker,this documentary tells about Singapore life through the lens of various colourful characters.

The third book is really what you are after. This is the book he traipses around the island and uncovers well known and positively understated heritage gems. From the original manuscripts of Majulah Singapura by Zubir Said in the Malay Heritage Centre to prisoner’s paintings in the Changi Museum ,he covers them all.Being Singaporean, I cannot but he amazed by the sites he found. Most of them are about half an hour away from my door step but I never really noticed.

It is both humbling and exciting to know that Singapore bears so much value for an expatriate and it is an incentive to start my own journey.

A story of a good boxer turned bad and …you’ve guessed it..turns good again. Awe-inspiring.