Shannon
Hillsborough
A review of this — 24 weeks ago
Christopher Banks spent a happy in childhood in Shanghai at the beginning of the 20th century as the son of privileged British ex patriates living in a large house supplied by the opium importer for which his father worked. He spent his days playing make-believe games with his best friend, the Japanese boy who lived next door. But then first his father, then his mother disappeared—kidnapped by ruthless Chinese criminals. An orphan, Christopher is sent to England where he grows up determined to become a famous detective like Sherlock Holmes and solve the mystery of his parents’ disappearance.
Gradually, as Christopher narrates his story – alternating between 1930s London where he lives as an adult, having fulfilled his ambition of becoming a famous detective, and his recollections of his childhood in Shanghai – the reader becomes aware that the narrator’s view of reality is skewed. Indeed, it seems that Christopher is living in a fantasy world where he believes his parents are still alive, even decades later, and that his return to Shanghai to find them will somehow avert the disastrous war brewing between the Chinese and Japanese. By the time he gets back to China, we feel like we can trust nothing that Christopher says, and that is the genius of this novel.
Christopher comes to an abrupt reckoning with the truth following a harrowing sequence in which he wends his way through a bombed-out Chinese slum, avoiding the battles going on in the streets around him while trying to locate the very house where he believes his parents are still being held. When he finally learns the truth, he returns to England defeated but still quite self-deluded.
While on the surface, When We Were Orphans is a crime novel written in the style of Arthur Conan Doyle, in actuality it is a complex psychological study of a character stranded at a traumatic point in his childhood, unable to move beyond his fantasies.









