A story about this — 2 years ago
Not Bale’s best part, nor Crowe’s. Peter Fonda’s contribution is minimal, too. The film holds together through the sheer force of dynamic tension. Will they make it to Detention station and the 3:10 prison train to Yuma, or will Crowe’s gang murder everyone en route? Sadly, that’s the entire plot, and Bale’s strained relationship with his wife and sons hardly makes an impression, though it should be what drives the action forward. Yes, Crowe mumbles his lines, but he hasn’t got much to say. His “flip” at the end is hard to swallow, even if he has supreme confidence in his ability to do whatever in the world he wants. As Westerns go, this is the best one in quite a while, which says something about the genre.











