W.
San Francisco
Slow, but it says a lot. — 1 year ago
I’m used to slow-paced Chinese films that seem to have such a low amount of content that people are shocked they win awards (but in actuality win awards because they manage to say a lot more than you think). Still Life is one of those films.
Much like The World, Jia Jiangke remarks on the continual transformation of modern China by focusing on a pair of protagonists played by his usual favorites, as well as on an almost surreal setting that draws both characters to it. Each character has their own story that the film switches between, but the real focus remains the transformation of their surroundings, as well as the passage of time.
The acting is fairly low-key, and the plot itself is minimal, but the cinematography is incredibly beautiful. If you’re used to the pacing of films like these, then you won’t be disappointed.



