Absolutely awesome! Proving once again Beck’s ability to combine existing styles into an innovative sound and emotion.

I say this is his real comeback since “Odelay”, really. I mean, “Midnite Vultures” was good, but not this good. I still hail “Odelay” as his best, but this may well be the runner-up (apart from “Stereopathetic Soulmanure”); sad, happy, electronic, Bob Dylanish (without turning Beck into a copycat), great to dance to not to mention the fabulous melodies and great production, making me recall Scott Walker.